DO DA MANIFESTO

Art by its very nature can consist of tangible objects, or invisible tree houses, that are occupied by those with high intentions. Those with an attitude of viscosity and pastiche will spread the brush stroke with infinite results. Those with Da Da traditionalism will only reap the reward of stagnant progressive reversal modems, that eat away at the very core of every metaphorical apple, that rests before a fresh canvass mounted on a rusty easel. DO DA is the geographical stone now unturned and a look out tower for the cautious ones, who fear the leap into the unravelling world of endless possibility and new frontiers. Acceptance is the key to DO DA acceptance on non- compliance to the pressures of modern society, that inflict one ingredient and one flavour for the bland wall paper, to rest against the wall without any of the mice looking up and collectively having a consensus that, generally amounts to a thirst to chuck cheese, at the wall in the hope that it sticks alongside the ageing pasta.
The styles and spectrum of development can alternate, but are mostly recognised through the law of attraction, not for focusing on money but to have this simply as part of the journey. The throwing of a wellington boot and catching of it's arrival is on par with the strenuous brush strokes with microscopic detail. The thought process is now very welcome and the flood gates are lodged open for new thought processes to be transmitted through the mind. Positivity and openness along with dark thoughts are very easily transmitted far quicker now than in previous generations. Now is the time to convey your art with your mind irrespective of visual external results. You can paint with your mind and share this experience.
Hens have a huge part to play and yet they are unaware of their contribution to the larger picture. The Tate worm loves art galleries and stopping to make observations, the conclusions are dependant on the heat coming through the large glass window and the time of year. The illustrator may find a Tate worm on his shoulder, observing the interpretation of what is being taken through the eye and into the brain and flowing onto the paper.
DO DA has spring in its step and treats human veins like skipping ropes ... you can rest the belly on the ground but you can swing the entire rope to cleanse the air and bring new horizons. The DO DA retains optimism and has a taste of disdain with the label Hippy.
In fact DO DA spells the death of the Hippy but acknowledges some of its core principals and beliefs with value. Bohemia too is fading but not without an ever increasing presence but only with the right mask worn, slightly at an angle, but on a human that walks a bit funny, to make the mask look straight. Art is now in the hands of the mind traveller and shape shifter the obvious is on the doorstep, however the pint of milk is history.

The DO DA will have done the washing up before the meal has been eaten and still leave a feeling in the room that nothing hyper efficient has happened. DO DA has lazy facets too, but only ones that recognize that serendipity has a good place in society but not as a constant way of being.

Witnesses to heinous crimes are able to delay shock with a DO DA approach because the art comes from all their pockets especially the pocket within a pocket at the front of a pair of trousers. The element in the kettle is always in danger of conking out, the elements in the environment are always in danger of giving you goose pimples the elements in Dr Watson's Elemental my dear sprout son, doesn't quite add up, but that's part of the whole thing. If it added up, the any discrepancies would seem unusual ,so bringing everything into balance would also lead to a discrepancy.

Swishy washy art is generally a pebble or seascape the raw essence of DO DA is to stick a meat fork into a dart board made from breeze block. All the slippers in the world powered by T - light could take enough grasshoppers to the most Southern part of the biggest art project and activate a hopperism that keeps buzzing for approximately 10 years.

The DO DA will have a plan, but when something has dropped on the floor accidentally, the plan will immediately change into something completely spontaneous for 10 minutes only. This can have adverse consequences, but must not be taken too lightly, for great experiential art is created by the two shuffle, side step, then hop skip and a jump back onto its original path. 

The round is always essential with all art, the round must always drive the emerging adaptions and fresh processes.  The round does not need to be a hinderance, the round must always be able to wear the mask of the square for the purposes of transmogrifiying shifts in physcho analysis.  To wake up and to start singing THE CAMP TOWN DIDDLE DADLIE DEE DAT DOO  A DO DA A DO DA DAY or something to that affect.
Tenpin bowling is a great past time for DO DA as is throwing velchro darts at your mates forehead.  These stratigic mind focuses help train the mind, they should not be perceived as funny endevours rather the pursuit of excellence in all fields.  The ability to throw scrunched up paper in the bin is also a DO DA activity and must be retained as a physical version of SUDUKO.
All these practises contribute towards a creative DO DA process which will keep the mind primed for art and all its genres.